Showing posts with label Queen Crescent. Show all posts
Showing posts with label Queen Crescent. Show all posts

Saturday, 14 March 2015

LK Ultra's Top Albums for 03/14/15

Top 25 Albums
#). artist - album title
  1. Queen Crescent - Self-Titled
  2. Lord of Doubts - Into the Occult
  3. Crowned in Earth - Metempsychosis
  4. Kabbalah - Primitve Stone EP
  5. Pombagira - Flesh Throne Press***
  6. Alucarda - Raw Howls
  7. Misty Grey - Grey Mist
  8. John Carpenter - Lost Themes*
  9. Evil Spirit - Caulron Messiah
  10. Bretus - The Shadow Over Innsmouth
  11. Acid King - Middle of Nowhere, Center of Everywhere***
  12. Shepherd - Stereolithic Riffalocalypse
  13. The Atomic Bitchwax - Gravitron***
  14. Doomraiser - Reverse
  15. Black Rainbows - Hawkdope
  16. Saturnalia Temple - To The Other
  17. Hands of Orlac - Figli Del Crepuscolo or link #2
  18. Taken By the Sun - Self-Titled
  19. Strange Broue - Various EP's
  20. Zoltan - Tombs of the Blind Dead EP*
  21. Patrick Bruss - The Gorgon's Gallery
  22. Lord Loud - IN EP
  23. Stoned Jesus - The Harvest
  24. Soundcrawler - The Dead-End Host
  25. Wooden Stake - A Feast of Virgin Souls
*Album available on itunes
** Streaming only
*** Pre-order only
† Available on cassette only
 Available on vinyl and cassette only
† Available on vinyl only
No release available yet

ALBUM Spotlight on:
HANDS OF ORLAC – ‘Figli Del Crepuscolo’
Danish specialty label and distributor Horror Records unleashed a pair of gems on bandcamp late last year. I reviewed the first of those, 'Cauldron Messiah' by Evil Spirit back in February at this location (the album's still going strong at the #9 position on this week's list above). The second of those is the subject of this week's album spotlight.

This Italian doom quintet started out in 2009. The band's mission statement was pretty simple: make 70's sounding music with Black Sabbath style riffs and a strong emphasis on horror themes. It's safe to say the band has lived up to its goals. Keep in mind that, aside from a few bands and artists, The Devil's Blood, Jex Thoth and Blood Ceremony among the most notable, the metal world wasn't exactly ablaze with black candles shining for this kind of sound back in 2009. Since that time there's been an explosion of what is labelled "female-fronted occult rock". And while the music world is richer for its blossoming, it's obvious that Hands of Orlac have pushed their own boundaries to stay relevant and distance themselves from the crowd.

An older pic of the band, from my good friend Dr. Doom's
lamentably dormant website, Dr. Doom's Lair. [Source]
The most apparent result of this is that the band's second album is significantly darker than its self-titled 2011-released predecessor. In fact, the distancing has nearly rendered the band unrecognizable. While once, one might have been forgiven for mistaking the band for one of the handful of others of the style they helped to grow, the band has found a stronger identity by embracing a deeper shade of doom. Vocalist The Sorceress has mostly holstered the flute which characterized the debut. The psychedelic retro Rock overtones have died and risen from the grave dressed in Metal. And the band is better looking for it.

Let it be said for those who haven't heard it, but the 'Hands of Orlac' album is a true standout within its style, a fore-runner to terrific albums by Occultation, Shinin' Shade, Mount Salem, Doublestone and Mountain Witch. In terms of mood and feel, 'Figli del Crepuscolo' blows it out of the water. The freshman album was a warm-up, a sweet, bright introduction to the band, the latest is a master's thesis in darkness. The fact that the album title translates into English as 'Children of Twilight' suggests that the band is ever darkening and that absolute night still lies ahead. There are two links at the #17 spot on this list for you to check the album out, although I don't think the whole album is streaming anywhere, if it is I haven't found it yet.

Monday, 9 March 2015

QUEEN CRESCENT - Self-Titled (Album Review)

This is great stuff.

Queen Crescent is an all woman band from the Bay Area of California who make heavy, dark and punky stoner doom rock with flute. Comparisons will be made to Blood Ceremony and maybe even Jethro Tull, but should be avoided. These ladies do their own thing, and that thing is spectacular. These heavy ladies will also be lumped in with the occult rock label and there's some truth to that if you look at the song "Majic Moonjynuh", but this album is no more occult related than any other rock n roll album to emerge since Bill Haley & the Comets told the world what time it is.

Main vocalist Andrea Genevieve automatically brings to mind Chrissie Hynde of The Pretenders, especially on the album's best song, "Culture Vulture". But we're only talking tone of voice here, because she's singing from a low register. As far as what's going on musically, Queen Crescent are in a class of their own. It's hard to imagine flute as a blunt object for instance. It's used almost as a percussion instrument in this standout track, but if it can be done flautist / vocalist Melissa Vu will find a way to do it.

Flute is a huge part of what shapes Queen Crescent's sound, it's treated as a lead instrument. This allows the incredibly low-tuned guitars to slide under the radar and hit the listener on an almost subconscious level. This is what gives the music its dark and mysterious overtone. Some might hear it and read the sound as "occult", but what they're hearing is the contrast that springs from the interplay. The light tones of the flute, playing a darkened melody with that basso rumble underneath has a somewhat hypnotic effect. The musical mysticism expressed on this album is more attuned to the true magical experience of psychedelics than the often overblown imagery of the stirring of cauldrons and the riding of broomsticks.

What really matters is the music itself and this 7-song, 33-minute debut is potent stuff. Powerful vocals, solid melodies, heavy riffs and killer flute are all driven along at a solid pace from the back end by drummer Amy Martinez. You get an easy sense of the tongue-in-cheek sensibilities of the band with song titles like the above-mentioned "Majic Moonjynuh" and the short warm-up of "In the Court of the Crescent Queen". Also, any outfit that gives a respectful nod to the iron-fisted musical gymnastics of Mr. Fripp and company are alright in my book.

Rating: ««««½ / 5

You can find out more about this hard-working, up-and-coming band at the following links:

Queen Crescent official website
Queen Crescent on bandcamp
Queen Crescent on facebook
Queen Crescent on twitter
Queen Crescent on instagram

'Queen Crescent' is now available on LP and digitally. Check out the album on the player below